From the opening credit sequence, the film is very effective with keeping the audience's attention. However, the way the film succeeds in doing so is very peculiar. The film is centered on Angela, a woman has a very strange way about her. From the beginning of the film, Godard makes it very clear that he intends to make her stand out as much as she can. Her wardrobe in the film definitely coincides with what Godard had intended for Angela's character. She is often wearing red throughout the film. Her wearing red often makes her stand out against the bland scenery surrounding her. Even during her 'performance,' she was wearing her usual flamboyant getup for it. However, the spotlight used a few different camera filters to project a different light on her face; again, in order to make her stand out.
The score of the film also helps to emphasize all of this as well. Often times during the film, the music will drop out and she will be speaking. Sometimes there will be no music at all and the surrounding characters in the film all gawk at her like a bunch of horny schoolchildren. Her personality is also very comparable to the clothes she wears. It seems as if she thinks that her life is a feature length film and she is the leading lady. She often goes off on these very odd monologues during which she does not make much sense most of the time. She is extremely eccentric to the point of almost being very childish. Especially during one scene where her and her lover, Emile are having a fight in bed. Instead of talking it out, they choose to not speak to each other. Not only do they not speak to each other, they finish their fight by finding words on the covers of her books to take jabs at each other. Clever. At least she is true to the woman she portrays, she ends the film by saying "not damn me, but a dame, me.